“The award for Internet marketing buzzword of the year goes to ‘viral marketing.'”
— ICONOCAST, December 16, 1998
It seemed that for the longest time you couldn’t go anywhere in online-media circles without someone bringing up viral marketing. Since 1999, everyone in the marketing departments of every dot-com has been looking for a silver-bullet viral marketing solution, with thinking along these lines:
- “Viral marketing is the wave of the online advertising future.”
- “Viral marketing is what will get me all the customers I need to survive as a business, and it won’t cost me anything!”
- “Viral marketing is what will build a customer base with little or no capital outlay from the advertiser.”
A Phenomenal Solution
Every dot-com with dreams of avarice looked to viral marketing as its calorie-free, no-pain/all-gain path to customer acquisition.
Held up as poster children for the viral marketing cause are efforts that include eTour and the Mahir phenomenon; the Budweiser “Whassup?!” emailed executable; “The Blair Witch Project” word-of-mouth explosion; and, of course — the granddaddy of them all — Hotmail.
Now that the landscape has been strafed by dot-bombs, viral marketing — instead of being shouted about on high — is spoken of in the same hushed tones as the phrase “I work in the Internet business.”
What Appeals Today
That said, there is still a role for this unique means of spreading an advertiser’s value proposition and “infecting” the desired audience.
But before you think that tacking on a cool “.exe” to an email and spamming everyone in your contact database is a viable viral marketing tactic, think again.
It isn’t easy creating something that is going to “take” with a given audience. One of the appeals of that which gets termed “viral marketing” is the authenticity of the expression. Most of us are all pretty media savvy these days, but those of us on the Web, and particularly younger people on the Web, are savvier than could have been imagined just five years ago.
What appeals now is perceived honesty, warts and all, in the message being offered. That’s why humor is so pervasive in most of the advertising we see. Humor is just the truth in a palatable presentation. “Humor distorts nothing, and only false gods are laughed off their earthly pedestals,” as Agnes Repplier once wrote. Authenticity is what people will accept. Viral marketing needs to rely heavily on that.
Usually, for a viral marketing campaign to be strategically effective, it needs to demonstrate intrinsic value to the target audience. It needs to be consistent with self-expression. Campaign themes can include:
- Entertainment — the unit has entertainment value.
- Utility — the unit offers something the reader can use.
- Palpable reward — the unit offers instant gratification.
- Uniqueness — the unit is like nothing the reader has ever seen.
Viral marketing may be further classified as either “frictionless” or “active.” Frictionless viral marketing is when the audience spreads the word of a product or service merely by using the product or service. Examples include Hotmail and electronic greeting cards, where a link to the site accompanies every message sent.
When you get right down to it, though, successful viral marketing efforts are what I call “happy accidents.” They are kind of like real viruses — no one really means to give them, and no one really means to get them; they kind of just happen.
Certainly the “frictionless” forms of viral marketing have a certain deliberate intention behind their design. But eTour’s success with the Mahir Cagri craze could not have been planned. It was about being at the right place at the right time. Sure, Jim Lanzone and his team at eTour had to do a lot of work to put a program together and get Mahir to the States, but no marketing department could have planned this phenomenon.
For most viral marketing, you need to spot a trend or fad early and be a part of it. The rest is just having what folks want and making it easy for them to share it with others.
27-year-old Swede Felix Kjellberg, who goes by the name PewDiePie on YouTube, has found himself at the center of a firestorm.
The explosive growth of video in 2016 makes 2017 an important year for video content and as more publishers are tempted to use it, it’s useful to consider the best strategies to maximise its effectiveness.
Apple has announced that with the next update to iOS 10, they will limit the number of times an app owner can pester a user for a rating.
2017 will be a watershed moment for video, as consumption moves from the TV to other devices.